Friday, September 06, 2019

Returning to Bath, UK for 4th Time!

I'm back.  I've been performing.  I need to play catch up here on my blog.  But first I need to share that I will return to Bath, England in my one woman show "Cheer from Chawton" for the 4th time and I am quite thrilled about it!  I am scheduled to teach an acting Masterclass on Friday, 20 September 2019 and then on Saturday, 21 September 2019 at 8pm it's "Cheer from Chawton, a Jane Austen Family Theatrical" suitable for ages 8 and up at the 2019 Jane Austen Festival.

Wednesday, July 23, 2014

Behn Goes Wilde

Currently appearing in the Hudson Warehouse production of The Importance of Being Earnest in New York City, NY until Sunday July 27, 2014.  Curtain time is 6:30 pm. The venue is beautiful and the cast pitch perfect!

Monday, March 31, 2014

What Jane Saw

I have been catching up on all things Jane and I have to say I got absolutely lost in a website that's been around for a while - www.whatjanesaw.org .  UT Austin - no pun intended - has done an amazing job on this virtual gallery.  To see this Joshua Reynolds retrospective, and incredibly, the way Jane saw it, from the comfort of one's home is to go on an imaginative exploration-expedition.  The paintings in three galleries are hung close and one above the other, the intensity of the exhibit offers up the clear eyes of this renowned painter.  The portraits of Goldsmith, Johnson, Barretti are astonishing in clarity.  All offer the visitor a glimpse into the world of the time.  I have my own "What Jane Austen Saw" in this Hoppner portrait in the background of "Love, they say, is like a rose..." Jane wrote in a letter, "I long to have my portrait painted with a red background."  Hoppner was famous for using red backgrounds for his sitters. He was also most famous for his portraits of women - would that Jane had sat for him in her short lifetime!

Monday, January 21, 2013

Upcoming Work

Getting more than three things ready at once:

  1. Acting as Jane Austen in "Cheer From Chawton" at the National Arts Club, New York City on Monday, February 11th directed by Susan Pilar & Amy Stoller.
  2. Playwriting:  My new 10 minute play, "All Roses" will be read at the next Blue Roses Winter Shorts Series on Tuesday, January 29th. At the Abingdon Theater Company Spaces, New York City.
  3. Directing 4 plays for 3 evenings also through Blue Roses: Monday, January 28th, Not To Be Ignored Series, "Careful What You Wish For by Judy Stadt starring Louisa Cabot and leslie Shreve.  Tuesday January 29th, Winter Shorts "The Last Holdout" by Judd Silverman starring Frank Anderson and Blair Sams. Monday February 4th, Blue Roses Celebrates Alaskan Playwrights, "Better Than The Alternative" by Mollie Ramos starring JoAnn Yeoman and "From Afterlife" by Carolyn Roesbery starring Linda Selman and JoAnn Yeoman.
  4. Speaking on a Technology Panel for Theatre Resources Unlimited (TRU) on Tuesday, January 22, 2013.  Wish me luck!
  5. Improvising:  Will appear as Aphra Behn with Women Stage the World again on Monday, March 4th, 2013.
When it rains it pours!

Friday, September 21, 2012

Jane Austen's Supportive Family

In my stacks of "must-read" periodicals and books, I unearthed Persuasions, Issue #31, 2009 and I came across a wonderful and thought-provoking article written by Maggie Lane called "Brothers of the More Famous Jane...".  Besides being a remarkably easy read for a scholarly article, the information provided in the essay was for me a revelation.  Here are some of the sentences that most intrigued me:

  • "In the case of Sense and Sensibility, it seems probable that the sum of about £180 had to be paid upfront for printing and advertising - in which case Henry surely advanced the money, for such a sum massively exceeded Jane Austen's slender means.  Sales of about 420 copies were needed to break even.  In the "Biographical Notice" of 1818, Henry tells us "she actually made a reserve from her very moderate income to meet the expected loss."  She had no such reserve; Henry was both concealing her poverty and lauding her modesty, but we can read between the lines her fear of debt and of increasing the huge obligations she already felt to her brothers.  The appearance of Jane Austen's first novel owed everything, in my opinion, to the force of Henry's confidence and calculations as well as to his cash and his contacts.  From this point Henry was totally involved in Jane Austen's publishing life."
The ramifications of this particular article are incredible.  Henry used his contacts to secure a publisher.  Henry paid for the publicity and publication of her first novel.  So the looming question here is, would we even know Jane Austen if it were not for her wealthy, politically connected brother?  People will hate me for saying this but for all artists this problem exists and exists to the present day.  Personally I know of brilliant work that does not see the light of day because there is not a mass of money available to put that work forward.  There is also the matter of riding the tide of what is currently popular.

More to come...

Thursday, September 06, 2012

Pilgrims Musa and Sheri in the New World by Yussef El Guindi

American Theatre Magazine has been posting astonishing plays lately and I just finished reading "Pilgrims Musa..." over the weekend.  Again I only meant to skim the piece and again I was drawn in.  Mr. Guindi manages to capture and speak to all of us when his character, Abdallah, says, "The everyday pilgrimage you make when you open your mouth to a stranger and hope to God you are understood."  How many of us have felt this way each and every day.  Everytime I audition or make a submission or try to talk to another member of the Moms Club.  Every day.  Later the same character says, "The way you have to open up and travel to the place someone is coming from."  How many of us resist doing this?  How many times have I judged ahead of time.  The world continues to surprise me.  As hard as it is to be my age and continue performing, writing and so on.  Even thinking.  Sometimes I feel judged for that.  But here I am admonished from the pages of this play, to continue to grow and continue my quest for a theatre that will be all inclusive, environmentally sound, promoting the rights and the literature of women.  This kind of work forces a person to be more, to stand up for what you believe in.  Thoughts for the day!

Wednesday, September 05, 2012

Water Color Artist James Prosek

"I could not believe these fish were so huge.  They looked like sculptures - polished marble sides, glistening steel backs, fins like blades of metal, eyes like miniature Earths with atmospheres and seas and forests and deserts."  Just finished reading an article about artist and conservationist James Prosek.  The guy looks like a young Mel Gibson.  Besides having an amazing work ethic (up to 14 studio hours per day), he is making a conservation statement about Atlantic fish.  Sometimes you wonder how art and making any kind statement mix.  You have to decide who you are, what you want to say.  This guy is a modern Audubon, the paintings are remarkable, he experiments with metallic powder, powdered mica, etc. to record exactly what is in front of him. The article says for the canvas, "Prosek used 60 inch tall rolls of paper cut to size and dyed with up to 20 bags of tea." Apart from some magnificent descriptive language, I find this gentleman the real thing.  What is engaging to me is the way he sees these fish.  His experience of them is so intense.  One might look but not see.  That is the job of any artist, theatrical or otherwise, to really see, intensely, profoundly with complete clarity. I wish I could say it better.